Apollo Up!
Apollo Up! - Chariots of Fire
Chariots of Fire
Released June 6th, 2006
Apollo Up! - Light The End And Burn It Through
Light The End And Burn It Through
Released August 6th, 2003
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Press
Biography
[Light the End and Burn It Through] is a refreshing burst of rock music that defies trends, respects dynamics, makes precision sound effortless, and kicks the listener in the head with solid slabs of rock . . . Songs like "Magnetic South" and "Jagged Eisenhower" highlight Apollo Up's harmonic vocal prowess and evoke Fugazi at their catchiest with bridges that make heads nod and fists fly consistently. Few rock bands in Nashville consider vocals as particularly as this band, and the listener is very appreciative. Harmony and melody and solid back-up vocals make a huge difference . . . Varied tempo and time signatures abound, but things never stray too far from the straight-ahead rock focus . . . the record soars with big, bright guitars and a monstrous bass tone . . . this is one of the best rock records Nashville has produced in a long time.
Chris Driver · Popshot Magazine · Jan 2004
East Nashville's Apollo Up are the Toto of the local indie scene, a supergroup that succeeds beyond the members' previous bands . . . Light the End and Burn It Through, is rare for an indie, a full-length that takes full advantage of modern recording technology, yet retains the band's unique sound . . . Each song follows a linear construction, developing one new part after another and rarely repeating. This defies pop sensibility but holds the listener rapt to the changes. The album's balance between the familiar and futuristic should mark another success for Theory 8 . . . It's certainly a success for Apollo Up, whose music crosses over to listeners of hardcore, indie pop and obscure noise.
Todd Anderson · Nashville Scene · Dec 2004

The three members of Apollo Up! have spent a decade playing with and without each other in various combinations (Shiboleth [sic], Lotushalo, the OCG, the Shakedown Cruise, et al). At the end of the summer of 2002, Jereme Frey (drums, percussion), Jay Leo Phillips (guitar, vocals, keys), and Mike Shepherd (bass, vocals) decided to make an attempt at finding a middle ground between post-punk pop and progressive rock precision.

Under the influence of books that people don't finish (Joseph McElroy's the Lookout Cartridge, Thomas Pynchon's Gravity's Rainbow, etc.) and East Nashville's plentitude of discount beer & tobacco stores, the pieces fell quickly into place. Songs like "My Real Baby" and "Distance/Difference" erupted, fully formed, as fiery bursts of window-rattling riffery; "Ticonderoga" and "Escalator Broke Down" are two-and-a-half minute shards of jagged pop. Their efforts were first documented, self-recorded and self-released, on the 5-song Demonstration Recording EP (January 2003).

From there, Apollo Up!'s song writing continued to develop in wider, more varied directions: "#8 (I Still Love You But I Want You To Die)" is an instrumental workout with a unique vocal approach; "Magnetic South" matches a poignant family history with soaring guitar heroics; "Saw Her Standing There" adds analog synth to the mix for even greater textural flavor; "Some Kind of Washington" and "Jagged Eisenhower" push the mixture of technical musicianship and melodic splendor to new heights.

In August of 2003, just a year after their first rehearsals, Apollo Up! began recording their first long-player with Jeremy Ferguson at Battle Tapes in Nashville. Nashville's Theory 8 Records will release the resulting 11-song CD, Light the End and Burn It Through, at the end of November.

Contact
Official Site:
apolloup.com
Booking:
Eat Books
eatbooks@gmail.com